Online archív Slovenskej filharmónie bol navrhnutý a naprogramovaný tímom Streamboyz. Videá sú umiestnené na serveroch občianskeho združenia Multiplace. Použitie, šírenie fotografií a audiovizuálneho obsahu tejto stránky len so súhlasom Slovenskej filharmónie. Tento web používa súbory cookies. Prehliadaním webu vyjadrujete súhlas s ich používaním. Viac informácií. Slovenská filharmónia je štátna príspevková organizácia Ministerstva kultúry Slovenskej republiky.
The Online archive of Slovak Philharmonic was designed and programmed by Streamboyz Team. Concerts are located on the Multiplace servers. Use and distribution of photographs and audiovisual content of this site only with the consent of the Slovak Philharmonic. This site uses cookies. By continuing to browse the site, you are agreeing to our use of cookies. Find out more. The Slovak Philharmonic is a state-subsidised organisation of the Ministry of Culture of the Slovak Republic.
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1 H 21 MIN 1 H 21 MIN
V rámci spolupráce Slovenskej filharmónie a Filmovej a televíznej fakulty VŠMU Bratislava za kamerami sedela študentka 3. ročníka Ateliéru zvukovej skladby Olesia Stepura.
As part of the cooperation between the Slovak Philharmonic and the Film and Television Faculty of the Academy of Performing Arts in Bratislava, Olesia Stepura, a 3rd year student of the Sound Composition Studio, sat behind the cameras.
Weber / Dohnányi / Martinček / Novák / Poulenc / Saint-Saëns
Utorok 11. 6. 2024, 19.00 hTuesday, June 11, 2024, 7.00 PMCyklus KH – Komorná hudba
Malá sála Slovenskej filharmónieKH serie – Chamber Music
Small Hall of Slovak Philharmonic
At the turn of the 19th and 20th centuries, composers became increasingly interested in the technical and sonic possibilities of the flute. A compositional frenzy erupted after the premiere of Debussy’s Syrinx, a three-minute composition for solo flute which, thanks to its exotic character, caught the ears of other musicians. The aria for flute and piano was written after the young gifted flutist Eleanor Baker complained to Ernő von Dohnányi that Brahms had not written a sonata for flute. The composer decided to reverse the injustice and write one sonata “in his stead”. The three-movement piece by Jan Novák describes the spring awakening of nature, which has always been accompanied by ritual dances. The Czech composer, a passionate Latin scholar, was inspired by Latin texts when composing his melodies. The musicality and virtuosity of the works for clarinet by Carl Maria von Weber stem from his good friendship with the clarinettist Heinrich Baermann, for whom several works were composed. Francois Poulenc wrote a sonata for clarinet, in turn, at the instigation of Benny Goodman. Together they were to premiere the work, but the composer died unexpectedly, and Leonard Bernstein ended up sitting at the piano for the first performance at Carnegie Hall. The Tarantella, a stylisation of a southern Italian dance in 6/8 time, was composed by Camille Saint-Saëns at the age of 22. It was written at the suggestion of Rossini, who was organising a musical soirée in his Parisian private home and wanted to bring the young composer into the public eye in this way.
Virtuoso flute and clarinet passages will be performed by pedagogical colleagues from the Academy of Performing Arts Katarína Turčinová and Jozef Luptáčik, the first clarinettist of the Slovak Philharmonic.
Za kamerami sedela študentka AZS FTF VŠMU Olesia Stepura