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Sentirete una canzonetta

Utorok 24. 1. 2023, 19.00 hTuesday, January 24, 2023, 7.00 PM
Cyklus SH – Stará hudba
Malá sála Slovenskej filharmónie
SH serie – Early Music
Small Hall of Slovak Philharmonic

Ranobarokové talianske piesne a teorbové sóla Early Baroque Italian Songs and Theorbo Solos
Tarquinio Merula (1595–1665)
  Sentirete una Canzonetta Sentirete una Canzonetta
Giovanni Girolamo Kapsperger (1580–1651)
  Occhi soli d’Amore Occhi soli d’Amore
  Toccata 8va Toccata 8va
  Ite sospiri miei Ite sospiri miei
  Che faró, donna ingrata Che faró, donna ingrata
  Rigida Eurilla Rigida Eurilla
  Canzone prima Canzone prima
  Quando prendon riposti Quando prendon riposti
Barbara Strozzi (1619–1677)
  Amor dormiglione Amor dormiglione
Giovanni Girolamo Kapsperger (1580–1651)
  Toccata 5ta Toccata 5ta
Barbara Strozzi (1619–1677)
  L’Amante segreto L’Amante segreto
  Moralità amorosa Moralità amorosa
Giovanni Girolamo Kapsperger (1580–1651)
  Toccata 9na Toccata 9na
  Passacaglia Passacaglia
  Toccata 10ma Toccata 10ma
  Tu che pallido essangue Tu che pallido essangue
Claudio Monteverdi (1567–1643)
  Signor, quel infelice Signor, quel infelice
Giovanni Girolamo Kapsperger (1580–1651)
  Battaglia Battaglia
Benedetto Ferrari (1603–1681)
  Lingua di Donna Lingua di Donna
  Occhi miei che vedeste Occhi miei che vedeste
Giovanni Girolamo Kapsperger (1580–1651)
  Uscita Uscita
  Ballo Ballo
  Gagliarda Gagliarda
  Corrente Corrente
  In te la vita In te la vita
  Rugiadose van laurette Rugiadose van laurette

The ingenuity of instrument makers of times past brought the theorbo to the musical world at the end of the 16th century – the lute, which, thanks to its extended neck, also has bass strings. The wide tonal range and the associated playing flexibility of the instrument ensured the theorbo’s popularity, which was understandably reflected in a number of compositions. Composers at the end of the 16th century used it mainly as an accompanying instrument in the presentation of new music, which was also known as stile moderno and seconda prattica. The works that will be performed at the concert will present the theorbo as a solo instrument and also as an excellent companion, a second for another soloist, in this case a singer. Early Baroque songs with an exposed expression of deeply felt text will transport us to Italy at the turn of the 16th and 17th centuries.

“She delivers the stories of the songs in an unadorned and straightforward manner, without any calculation or singing mannerisms,” this is how reviewers assess the singing style of Hana Blažíková on her new album. The music of earlier times had a kind of romantic charm on him, and so he gradually turned from a hobby guitarist Jan Krejča into an expert on Renaissance and Baroque lute and guitar.

AndrejAndrej OsvaldOsvald svetlálights, zvuksound, PeterPeter GondaGonda technická spolupráca ITIT supervisor, StanoStano BeňačkaBeňačka réžiavideo producer, kamerycamera, striheditor, MarekMarek PiačekPiaček postprodukciapost-production
Vyrobila Slovenská filharmónia © 2023A Slovak Philharmonic Production © 2023


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