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Piano Recital V – Ivan Šiller

Utorok 13. 5. 2025, 19.00 hTuesday, May 13, 2025, 7.00 PM
Cyklus K – Klavír a klaviristi
Malá sála Slovenskej filharmónieK serie – Piano and pianists
Small Hall of Slovak Philharmonic
Program
Alban Berg (1885–1935)
  Sonáta pre klavír, op. 1 Sonata for piano, Op. 1
Franz Schubert (1797–1828)
  Sonáta pre klavír č. 14 a mol, D. 784 Sonata for Piano No. 14 in A minor, D. 784
  Allegro giustoAllegro giusto
  AndanteAndante
  Allegro vivaceAllegro vivace
Maurice Ravel (1875–1937)
  Sonatine, M. 40 Sonatine, M. 40
  ModéréModéré
  Mouvement de menuetMouvement de menuet
  AniméAnimé
Béla Bartók (1881–1945)
  Šesť tancov v bulharskom rytme z cyklu Mikrokozmos, BB 105, Sz. 107 Six dances in Bulgarian rhythm from the cycle Microcosmos, BB 105, Sz. 107
  II
  IIII
  IIIIII
  IVIV
  VV
  VIVI
György Ligeti (1923–2006)
  Etudy pre klavír – Kniha I. (výber) Etudes for piano – Book I. (selection)
  II. Cordes à vide.II. Cordes à vide.
  IV. Fanfares.IV. Fanfares.
Daniel Matej (1963)
  A Set of Five Pick-Outs A Set of Five Pick-Outs
  monsieur „la bellemontagne“ vue a droit et à gauche – sans lunettesmonsieur “la bellemontagne” vue a droit et à gauche – sans lunettes
  bartók war auch dabeibartók war auch dabei
  they never met and yet they would have…they never met and yet they would have…
  feldman and messiaen watchin’emfeldman and messiaen watchin’em
  „like skippin“ bells“like skippin” bells
Encore: Valentyn Silvestrov (1937)
  Bagatellen – I Bagatelles – I

The three sonatas by Berg, Schubert and Ravel together form as if one unit of one large three-movement piano sonata. Schubert’s quiet and (mostly) meditative sonata forms a nice second movement after Berg’s dramatic sonata. The second story is a bit like that of Daniel Matej and Ligeti. Dano Matej reminded us of Bartók’s Bulgarian Dances and their interesting rhythm while studying at the Academy of Performing Arts. I had heard the dances many times (especially in Marian Varga’s arrangement) but never studied them. Dano also quotes Bartók in his composition A Set of Five Pick-Outs. The Bulgarian dances work with a rhythmic pattern of 3 + 2 + 3 , as does György Ligeti in his etudes Fanfares and Desordre. (Ivan Šiller)
VideozáznamVideorecording
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