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Easter Concert

Štvrtok 17. 4. 2025, 19.00 hThursday, April 17, 2025, 7.00 PM
Cyklus D/E – Hudba troch storočí
Koncertná sieň Slovenskej filharmónie
D/E serie – Three Centuries of Music
Concert Hall of Slovak Philharmonic


Program
Max Reger (1873–1916)
  O Mensch, bewein dein Sünde groß, podľa chorálovej predohry J. S. Bacha O Mensch, bewein dein Sünde groß, After J.S. Bach’s BWV 622
Max Bruch (1838–1920)
  Koncert pre husle a orchester č. 2 d mol, op. 44 Violin Concerto No. 2 in D minor, Op. 44
  Adagio non troppoAdagio non troppo
  Recitativo: Allegro moderatoRecitativo: Allegro moderato
  Finale: Allegro moltoFinale: Allegro molto
Encore: Johann Sebastian Bach (1685–1750)
  Partita pre husle sólo č.3 Edur, BWV 1006 – Gavotte en Rondeau Violin Partita No. 3 in E major, BWV 1006 – Gavotte en Rondeau
Gioachino Rossini (1792–1868)
  Stabat Mater Stabat Mater
  Stabat Mater dolorosa / IntroduzioneStabat Mater dolorosa / Introduzione
  Cuius animam / AriaCuius animam / Aria
  Quis est homo / DuettoQuis est homo / Duetto
  Pro peccatis / AriaPro peccatis / Aria
  Eia, Mater / Coro e RecitativoEia, Mater / Coro e Recitativo
  Sancta Mater / QuartettoSancta Mater / Quartetto
  Fac ut portem / CavantinaFac ut portem / Cavantina
  Inflammatus / Aria e CoroInflammatus / Aria e Coro
  Quando corpus morietur / QuartettoQuando corpus morietur / Quartetto
  In sempiterna saecula. Amen / FinaleIn sempiterna saecula. Amen / Finale

One of the most ardent admirers of Johann Sebastian Bach was Max Reger. He honoured Bach’s legacy especially in his organ works and in various arrangements of the Baroque genius’ vocal compositions. Max Bruch was a sought-after and successful music teacher. He devoted himself to his compositions rather alongside this activity. However, he achieved considerable success and some of his works inspired his followers, the two Musical Concertos falling into this category of Bruch's opuses. One of the great magnates of opera, Gioacchino Rossini, at the height of his fame as an opera composer, finally retired in 1829. He devoted himself to cooking and sporadically composing sacred and salon music. The works thus produced he himself described as “sins of old age”.


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