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Shostakovich / Weinberg / Prokofiev

Piatok 21. 3. 2025, 19.00 hFriday, March 21, 2025, 7.00 PM
Cyklus D/E – Hudba troch storočí
Koncertná sieň Slovenskej filharmónie
D/E serie – Three Centuries of Music
Concert Hall of Slovak Philharmonic


Program
Dmitri Shostakovich (1906–1975)
  Suita z opery Lady Macbeth Mcenského okresu, op. 29a Lady Macbeth of Mtsensk: Symphonic Suite, Op. 29a
  Allegro con brioAllegro con brio
  PrestoPresto
  AllegrettoAllegretto
Mieczysław Weinberg (1919–1996)
  Koncert pre violončelo a orchester, op. 43 Cello Concerto, Op. 43
  AdagioAdagio
  ModeratoModerato
  AllegroAllegro
  AllegroAllegro
Encore: Mieczysław Weinberg (1919–1996)
  24 prelúdií pre violončelo sólo, op. 100 – č. 21. 24 Preludes for Cello Solo, Op.100 – No. 21
Encore: Grigor Narekatsi (951–1003)
  Havun Havun Havun Havun
Sergei Prokofiev (1891–1953)
  Symfónia č. 5 B dur, op. 100 Symphony No. 5 in B flat major, Op. 100
  AndanteAndante
  Allegro marcatoAllegro marcato
  AdagioAdagio
  Allegro giocosoAllegro giocoso

The year 1936 was a tragically fatal one for Dmitri Shostakovich, Stalin attended a performance of The Macbeth Years and subjected the composer to devastating criticism in the daily Pravda. From then on, Shostakovich lived in stress and fear for his life. Mieczyslaw Weinberg emigrated from Poland to the Soviet Union, where he befriended Shostakovich. The Violoncello Concerto dates from the post-Stalin period, and in it Weinberg transparently claims his origins by quoting Jewish melodies. After the tempestuous and avant-garde Symphonies Nos. 2 – 4, Sergei Prokofiev presents himself as a poet and lyricist in the Fifth. However, Prokofiev’s proverbial sarcasm is not missing…


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