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Johann Sebastian Bach – The Brandenburg Concertos

Nedeľa 16. 3. 2025, 16.00 hSunday, March 16, 2025, 4.00 PM
Cyklus SKO – Slovenský komorný orchester
Koncertná sieň Slovenskej filharmónieSKO serie – Slovak Chamber Orchestra Concerts
Concert Hall of Slovak Philharmonic
Program
Johann Sebastian Bach (1685–1750)
  Brandenburský koncert č. 1 F dur, BWV 1046, pre 2 lesné rohy, 3 hoboje, fagot, violino piccolo, sláčikový orchester a continuo Brandenburg Concerto No. 1 in F major, BWV 1046, for 2 horns, 3 oboes, bassoon, violino piccolo, string orchestra and continuo
  bez označenia (Allegro)no tempo indication (Allegro)
  AdagioAdagio
  AllegroAllegro
  MenuettoMenuetto
  Brandenburský koncert č. 6 B dur, BWV 1051, pre 2 violy, 3 violončelá a continuo Brandenburg Concerto No. 6 in B flat major, BWV 1051, for 2 violas, 3 cellos and continuo
  bez označenia (Allegro) no tempo indication (Allegro)
  Adagio ma non tantoAdagio ma non tanto
  AllegroAllegro
  Brandenburský koncert č. 5 D dur, BWV 1050, pre flautu, husle, čembalo a sláčikový orchester Brandenburg Concerto No. 5 in D major, BWV 1050, for flute, violin, harpsichord and string orchestra
  AllegroAllegro
  AffetuosoAffetuoso
  AllegroAllegro
  Brandenburský koncert č. 4 G dur, BWV 1049, pre husle, 2 flauty, sláčikový orchester a continuo Brandenburg Concerto No. 4 in G major, BWV 1049, for violin, 2 flutes, string orchestra and continuo
  AllegroAllegro
  AndanteAndante
  PrestoPresto
  Brandenburský koncert č. 3 G dur, BWV 1048, pre 3 huslí, 3 violy, 3 violončelá a continuo Brandenburg Concerto No.3 in G major, BWV 1048, for 3 violins, 3 violas, 3 cellos and continuo
  bez označenia (Allegro)no tempo indication (Allegro)
  AdagioAdagio
  AllegroAllegro
  Brandenburský koncert č. 2 F dur, BWV 1047, pre trúbku, flautu, hoboj, husle, sláčikový orchester a continuo Brandenburg Concerto No. 2 in F major, BWV 1047, for trumpet, flute, oboe, violin, string orchestra and continuo
  bez označenia (Allegro)no tempo indication (Allegro)
  AndanteAndante
  Allegro assaiAllegro assai

Johann Sebastian Bach devoted himself to the instrumental concerto genre quite often and systematically. The creation of many works of this kind is shrouded in mystery, despite the activity of biographers; manuscripts are lacking, or only fragments exist. What is certain is that Bach particularly admired the works of Antonio Vivaldi in the field of the solo concerto. In the case of the Brandenburg Concertos collection, however, he definitely broke away from the models and created a new model approaching in many details the symphonic projects of the future. The solo harpsichord cadenza in the Fifth Concerto is quite innovative. The keyboard instrument stepped out of the anonymity of the basso continuo section - signaling a new epoch.
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