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Organ Recital III – Ludger Lohmann

Nedeľa 27. 4. 2025, 16.00 hSunday, April 27, 2025, 4.00 PM
Cyklus O – Organové koncerty
Koncertná sieň Slovenskej filharmónie
O serie – Organ Concerts
Concert Hall of Slovak Philharmonic


Program
Johann Sebastian Bach (1685–1750)
  Umenie fúgy, BWV 1080 The Art of Fugue, BWV1080
  Contrapunctus I à 4Contrapunctus I à 4
  Contrapunctus II à 4Contrapunctus II à 4
  Contrapunctus III à 4 (inversus)Contrapunctus III à 4 (inversus)
  Contrapunctus IV à 4 (inversus)Contrapunctus IV à 4 (inversus)
  Contrapunctus V à 4 (stretto)Contrapunctus V à 4 (stretto)
  Contrapunctus VI à 4 in Style FranceseContrapunctus VI à 4 in Style Francese
  Contrapunctus VII à 4 per Augment. et Diminut.Contrapunctus VII à 4 per Augment. et Diminut.
  Contrapunctus IX à 4 alla DoudecimaContrapunctus IX à 4 alla Doudecima
  Contrapunctus X à 4 alla DecimaContrapunctus X à 4 alla Decima
  Contrapunctus VIII à 3 (triple)Contrapunctus VIII à 3 (triple)
  Contrapunctus XI à 4 (triple)Contrapunctus XI à 4 (triple)
  Contrapunctus inversus XII à 4Contrapunctus inversus XII à 4
  Contrapunctus inversus XIII à 3Contrapunctus inversus XIII à 3
  Canon alla OttavaCanon alla Ottava
  Canon alla Decima in Contrapunto alla TerzaCanon alla Decima in Contrapunto alla Terza
  Canon alla Doudecima in Contrapunto alla QuintaCanon alla Doudecima in Contrapunto alla Quinta
  Canon per Augmentationem in Contrario MotuCanon per Augmentationem in Contrario Motu
  Fuga a 3 SoggettiFuga a 3 Soggetti
  Wenn wir in höchsten Nöten sein, BWV 668aWenn wir in höchsten Nöten sein, BWV 668a
Encore: Johann Sebastian Bach (1685–1750)
  Kommst du nun, Jesu, vom Himmel herunter, BWV 650 Kommst du nun, Jesu, vom Himmel herunter, BWV 650

The personality of Johann Sebastian Bach is generally best known, best known and most admired for his works for organ. He is perhaps the unwritten symbol of organ music. The creation of most of the imposing works is connected with Bach’s first, and in terms of composition significant, stay in Weimar. The organists Johann Adam Reincken and Dietrich Buxtehude were role models for the ambitious Bach. Eager to get to know them, Bach walked 450 kilometres, mostly on his own two feet, and made the most of this encounter in his subsequent activities as an organist and composer.


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