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Vocal Evening II – Slávka Zámečníková / Matthias Samuil

Utorok 11. 3. 2025, 19.00 hTuesday, March 11, 2025, 7.00 PM
Cyklus P – Piesňové večery
Malá sála Slovenskej filharmónie
P serie – Song Evening
Small Hall of Slovak Philharmonic


Program
Gabriel Fauré (1845–1924)
  Chanson d’amour (Pieseň lásky), op. 27 č. 1 Chanson d’amour, Op. 27 No. 1
  Les berceaux (Kolísky), op. 23 č. 1 Les berceaux, Op. 23 No. 1
  Au bord de l’eau (Pri brehu), op. 8 č. 1 Au bord de l’eau, Op. 8 No. 1
  Après un rêve (Po sne), op. 7 č. 1 Après un rêve , Op. 7 No. 1
  Notre amour (Naša láska), op. 23 č. 2 Notre amour, Op. 23 No. 2
Amy Beach (1867–1944)
  Three Shakespeare Songs, cyklus piesní, op. 37 Three Shakespeare Songs
  O Mistress MineO Mistress Mine
  Take, O Take those lips awayTake, O Take those lips away
  Fairy LullabyFairy Lullaby
Franz Liszt (1811–1886)
  Consolation č.3 Des dur, S. 172 Consolation No.3 in D flat major, S. 172
Erich Wolfgang Korngold (1897–1957)
  Four Shakespeare Songs, op. 31 Four Shakespeare Songs, Op. 31
  Desdemona’s songDesdemona’s song
  Under the Greenwood treeUnder the Greenwood tree
  Blow, blow, thou winter windBlow, blow, thou winter wind
  When birds do singWhen birds do sing
Maurice Ravel (1875–1937)
  Chants populaires, M.A 17 – Chanson française Chants populaires, M.A 17 – Chanson française
Claude Debussy (1862–1918)
  Nuit d’étoiles, L. 4 Nuit d’étoiles, L. 4
Francis Poulenc (1899–1963)
  Les chemins de l’amour, FP 106 Les chemins de l’amour, FP 106
Alberto Ginastera (1916–1983)
  Danzas Argentinas, op. 2 – Danza de la moza donosa, op. 2 č. 2 Danzas Argentinas, Op. 2 – Danza de la moza donosa, Op. 2 No. 2
Eduard Toldrà (1895–1962)
  Abril Abril
Fernando Obradors (1897–1945)
  Canciones Clásicas Españolas, zošit 1 Canciones Clásicas Españolas, book 1
  Da mi sola, LaureolaDa mi sola, Laureola
  Al amorAl amor
  Corazón, porqué pasáisCorazón, porqué pasáis
  El majo celosoEl majo celoso
  Con amores, la mi madreCon amores, la mi madre
  Del Cabello más sutilDel Cabello más sutil
  Chiquitita la noviaChiquitita la novia
Encore: Mikuláš Schneider-Trnavský (1881–1958)
  Vtedy sa mi prisnejú A Lovely Dream
Encore: Giacomo Puccini (1858–1924)
  „Quando me’n vo’“, ária z 2. dejstva opery La bohème “Quando me’n vo’”, aria from Act 2 of La bohème

Song and song cycles were a symptomatic phenomenon of 19th century music. After Franz Schubert, perhaps all composers were concerned with song. Gabriel Fauré was particularly productive and also progressive in this field. His approach to harmony strongly inspired both Maurice Ravel and Claude Debussy in the realisation of their reform. Another source of inspiration in the field of musical drama and song was the literary work of William Shakespeare. The American composer Amy Beach and Erich Maria Korngold, whose fortunes are also linked to the United States and Hollywood, have paid tribute to the Elizabethan playwright. Francis Poulenc created a fusion of the “romantic” song model with the famous French chanson. Catalans Enrique Granados, Eduard Toldrà and Fernando Obradors drew on local musical colour. The song also strongly influenced other genres, as evidenced by the collection Consolations by Franz Liszt.


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