movie 1 H 25 MIN 1 H 25 MINsd

Páči sa Likes 2

Vocal Evening I – Tomislav Jukić / Lana Bradić

Utorok 18. 2. 2025, 19.00 hTuesday, February 18, 2025, 7.00 PM
Cyklus P – Piesňové večery
Malá sála Slovenskej filharmónie
P serie – Song Evening
Small Hall of Slovak Philharmonic


Program
Franz Schubert (1797–1828)
  Schwanengesang, D. 957 – Ständchen Schwanengesang, D. 957 – Ständchen
  Winterreise, op. 89, D. 911 – Frühlingstraum Winterreise, Op. 89, D. 911 – Frühlingstraum
Franz Schubert (1797–1828)
  Die Forelle, Op. 32, D. 550 Die Forelle, Op. 32, D. 550
Stefano Donaudy (1879–1925)
  O del mio amato ben O del mio amato ben
Mikuláš Schneider-Trnavský (1881–1958)
  Slzy a úsmevy, op. 25 Tears and Smiles, Op. 25
  PieseňPieseň
  PrsteňPrsteň
Josip Hatze (1879–1959)
  Majka Majka
  Serenada Serenada
Francesco Paolo Tosti (1846–1916)
  Ideale Ideale
  Marechiare Marechiare
  Vorrei morire Vorrei morire
  L’ultima Canzone L’ultima Canzone
Dora Pejačević (1885–1923)
  Život cvijeća / Život kvetov, op. 19 Život cvijeća, Op. 19
  Visibabe / SnežienkyVisibabe
  Ljubice / FialkyLjubice
  RužaRuža
  Potočnice / NezábudkyPotočnice
  Crveni karanfili / Červené karafiátyCrveni karanfili
Ruggero Leoncavallo (1857–1919)
  Mattinata Mattinata
Gioachino Rossini (1792–1868)
  Les soirées musicales – La Danza Les soirées musicales – La Danza
Stanislao Gastaldon (1861–1939)
  Musica proibita, op. 5 Musica proibita, Op. 5
Encore: Gaetano Donizetti (1797–1848)
  „Una furtiva lagrima“, romanca Nemorina z 2. dejstva opery Nápoj lásky “Una furtiva lagrima”, from L’elisir d’amore
Encore: Eduardo di Capua (1865–1917)
  ’O Sole Mio ’O Sole Mio

Song is one of the synonyms of music. Even today, in times of tumultuous genre divergence, the existence of countless musical styles and poetics, song is one of the unifying elements. Mostly we see it as an expression of positivity, of the joy of music, of singing, of “making music”. Love themes, “romance” or beautiful melancholy prevail. Such was the song until the time of Franz Schubert, who brought the dark expressiveness of death, nothingness, and extinction into his late song works. However, he has not had many followers in the historical process, and the generations after Schubert have returned to the song’s “optimism” and intoxicating beauty, though the dark themes have perhaps not escaped any of them.


VideozáznamVideorecording
Andrej Osvald Andrej Osvald svetlálights, zvuksound, Olesia Stepura Olesia Stepura kamerycamera, striheditor, postprodukciapost-production, Marek Piaček Marek Piaček réžiavideo producer
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